Resources

My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach
(Eerdmans, 2000)

Description
In the history of Western music, J.S. Bach is unsurpassed in mastery of technique and profundity of thought. He was also a devout Lutheran with a broad knowledge of scripture and theology. Given Bach’s combination of musical prowess, personal devotion, and theological depth, it is not surprising that his music stands unexcelled among artistic expressions of the Christian faith. With the passage of time, however, many of the essential keys to understanding Bach’s music have been lost. My Only Comfort uniquely reconnects modern listeners with Bach’s music, enabling them to listen to Bach with renewed understanding and appreciation.

After an introduction to Bach, his theological knowledge, his musical language, and the various genres of sacred music in his output, Calvin Stapert leads readers through specific works by Bach that express, interpret, and vivify some of the principal doctrines of the Christian faith. For each work discussed, Stapert provides relevant quotations from the Heidelberg Catechism (a novel and provocative approach to the study of Bach), a literal translation of the text set beside the German original, and textual and musical commentary meant to contribute to a more perceptive and devotional listening to the work.

Author
Calvin R. Stapert is professor of music at Calvin College.

Endorsements
"Skillfully leading readers through the thicket of contentious commentary on J.S. Bach's biography, musicology, faith, and legacy, Calvin Stapert offers a fresh, Reformational interpretation of the biblical-theological themes that lie at the core of Bach's work. Without understanding these, he argues, neither the inner structure of the music nor the enduring significance of its evangelical intent can be grasped. Through Stapert's book we gain a view of Bach as an artful, spiritual mentor for us all."
—Max L. Stackhouse, Princeton Theological Seminary

"Here is a remarkable book.  Stapert, a Calvinist, gives a clear and responsible introduction to Bach, a Lutheran, from a theological and musical standpoint. He then sets a Calvinist document, the Heidelberg Catechism, in dialogue with Bach's music. The result pushes beyond either Calvin or Luther to a faithful catholic breadth. This is a book for anyone who wants to get at the essence of J.S. Bach."
—Paul Westermeyer, Luther Seminary

"Amid all the noise of Bach-Year 2000, this is an especially marvelous and welcome contribution. Integrating theological and musical insights is rare enough in writing on Bach. Rarer still is what Calvin Stapert additionally brings to the subject—wisdom."
—Michael Marissen, Swarthmore College

CICW Liturgical Studies Series with Eerdmans
This series is designed to promote reflection on the history, theology, and practice of Christian worship and to stimulate worship renewal in Christian congregations. Written by pastoral worship leaders from diverse communities and scholars from a range of disciplines, these volumes seek to nurture worship practices that are at once spiritually vital and theologically rooted. To find all the books in this series, go to Publications and under "Publisher," select "Wm. B. Eerdmans Publishing."

Table of Contents and Excerpt from Eerdmans