Wednesday, February 15, 2006
Lead singer/cherub Jonsi played his electric guitar with a bow, like a mutant cello, and made unearthly sounds with his voice. “Eeeeeuuuuu Syyyyyy Ohhhhhh” he sang on at least six songs, his falsetto soaring impossibly upward. It’s Hopelandic, a made-up language based on nonsense syllables and his native Icelandic, but I’d prefer to think of it as the angelic dialect of the heart. That mysterious phrase, repeated many times, sounded at various times like longing, yearning, grief, sorrow, joy, the unanswerable questions you hurl at God when your best friend dies of cancer, the wordless cry of joy when you witness the birth of your child, a thousand other moments of spiritual combustibility and incandescence that cannot be contained by cognitive knowledge and understanding. If it sounds trippy, it is. The gauze curtain that the band sometimes played behind, accenting shimmering shadows and spectral shapes, and the late ‘60s Pink Floyd freakout lightshow, only added to that impression. But that’s the territory explored by this band. It has nothing to do with objective communication, and everything to do with hotwiring the soul to the ineffable and the sublime.