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Calvin College
will present The Piano Lesson in February 2002, featuring a first for
the local college: the entire cast will be African American.
"It's about
time," says Calvin Professor Debra Freeberg who notes that talented
actors of color will allow the school to present theatre from a wider
range of writers and traditions than it has in the past. "Calvin
has often drawn from a narrow pool of actors," says Freeberg, "which
meant we were limited as to what we could perform. As our pool of actors
gets broader and more diverse it allows us to look at broader and more
diverse plays as well. Being able to present The Piano Lesson is an
exciting step for our theatre program."
The play will be
produced as part of a Calvin Interim class Freeberg is team-teaching
in January 2002 with Harvey Johnson, professor of theater and speech
at Geneva College in Pennsylvania.
The Piano Lesson,
by two-time Pulitzer Prize winner August Wilson, is about the conflict
between a brother and sister who fight over a symbol of their family's
past. Do they keep an ornately carved upright piano, engraved with the
story of their family from slavery to freedom, or do they sell it to
purchase land upon which their family once worked as slaves?
"It illustrates
the choices that African Americans have been forced to make," says
Freeberg. "Do I cut myself off from the past for a future? It's
about a person finding out who they really are and what it takes to
be a whole person."
Johnson will play
one of the two older male roles with the other being filled by Michael
Travis (former director of multicultural student development at Calvin].
Calvin senior Jena
Cooksey (pictured above) plays the leading female role. She's excited
about the play and her part.
"This is an
opportunity for me to do something that is exclusively made for me,"
she says. "I am an African-American woman and I play an African-American
woman. That is something I can be comfortable with. And I identify with
the issues of keeping family together and the whole idea of destroying
things that have kept her family oppressed. That is something I can
really relate to and that doesn't always happen in a role."
The play, which
will be performed January 31 to February 2 and February 7-9, has a strong
message for all audiences says Freeberg.
"In some ways
it deals with issues that are exclusive to African-Americans but it
also can speak to the whole human experience," she says. "It's
about the search for self and identity and the dignity of a human being
and the incredible need for God in the midst of incredible brokenness."
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