March 23 - April 25, 2015
Center Art Gallery, exhibition
Jennifer Steensma Hoag: COMPROMISED BEAUTY
From March 23 - April 25, the Center Art Gallery at Calvin College presents COMPROMISED BEAUTY, an exhibition by artist Jennifer Steensma Hoag. Jennifer's photographs of beautiful landscapes are complicated by the inclusion of figures in hazmat suits working within the scene, suggesting contamination of the environment. In this series she explores the correlation between pristine environmental beauty and perceived environmental health, and the impact of humans on the environment.
All the photographs in the exhibition are untitled pigment prints from the Compromised Beauty series. The photographs were taken on location in Michigan, Washington, Oregon and California during a sabbatical in the fall of 2013.
Thank you to Lew Klatt’s 2014 fall semester Creative Writing class who wrote the ekphrastic poems in the exhibition, and to Kendall College of Art & Design for their assistance with the printing of the photographs.
A special note of gratitude to Paul Hoag for his interest and active participation in this project, and for his continued support of my work - Jennifer Steensma Hoag
Friday, March 27 - 1:30pm (Spoelhof 150)
Please join us in the Department of Art and Art History for this event.
Friday, March 2 - 6pm (Center Art Gallery)
Refreshments provided in the West Lobby outside the gallery.
Wednesday, February 18
3:30 PM, Meeter Center Lecture Hall
Will Katerberg (Calvin College)
In the Presence of Our Enemies: Far Right Anti-Communism and American Political Culture, 1945-1970
This talk will summarize the history of anti-communism from the 1940s to the 1970s, but will focus on the period after McCarthy's fall, when mainstream anti-communism waned, leaving "extremist" groups to keep up the fight. Of the countless individuals and organizations associated with "far right" anti-communism, we'll examine Dan Smoot, the Minute Women of the U.S.A., the Christian Anti-Communist Crusade, John Stormer, and the Cardinal Mindzsenty Foundation. Anti-communists like these found themselves labeled “extremist” in the early 1960s just as new forms of radicalism began to emerge in the U.S. During the late 1960s and early 1970s, as the Black Panthers, SDS, Weather Underground, counterculture, and anti-war movements flourished on the “far Left,” militant anti-communists struggled financially and had to appeal to dwindling numbers of supporters to keep their operations going. But despite their fears that global communism was winning the battle for hearts and minds in America, all was not lost for them.
Will Katerberg is the chair of the history department at Calvin. He is a cultural historian of the U.S. and Canada, with research interests in the North American West, religion and politics, literature and film, comparative history, and social theory. This talk is based on a chapter from the research he did during his 2012 sabbatical. Co-sponsored with the History Department.
October 30 - December 20, 2014
Center Art Gallery, exhibition
"Tracing the Past: Edward Curtis and the North American Indian"
Sponsored by the Mellema Program in Western American Studies & the Office for Multicultural Affairs
From October 30 to December 20, 2014, the Center Art Gallery at Calvin College presents Tracing the Past: Edward Curtis and The North American Indian, and joins in paying tribute to the rich ancestry and traditions of Native Americans during Native American History Month. This exhibition pairs over 40 original photogravures from Edward Curtis’ early 20th century documentary project on The North American Indian, with 24 Native American artifacts from the same era.
Edward Curtis began his project in 1900, originally planning to take five years to complete it. However, due to the complicated nature, growing expense, and immense scope of work, the project took 30 years. During that time he took over 40,000 images and collected ethnographic information from over 80 American Indian tribal groups. Supported by such prominent and powerful figures as President Theodore Roosevelt and J. Pierpont Morgan, The North American Indian consisted of 20 volumes, each containing 75 hand-pressed photogravures and 300 pages of text. Each volume was accompanied by a corresponding portfolio, which contained at least 36 large photogravures. This exhibition contains 40 of these alrge photogravures, representing a wide range of tribes such as Apache, Navaho, Sioux, Hupa, Zuni, Nootka, and Hopi.
The Center Art Gallery is grateful to the Muskegon Museum of Art and the Grand Rapids Public Museumfor loans of the Edward Curtis photogravures and Native American artifacts. This exhibition is co-sponsored with the Center Art Gallery and the Office for Multicultural Affairs. In addition to the ongoing exhibition, a number of special programs will be offered:
William Katerberg & Elizabeth Van Arragon:
“Vanishing Indians? Native Americans and the Documentary Photography of Edward Curtis”
Friday, November 7, 7pm (Covenant Fine Arts Center, Recital Hall) Reception to follow
This lecture will attempt to put in historical context Edward Curtis and the Native American subjects in his photographs. Professors Willam Katerberg and Elizabeth Van Arragon will look at depictions of Native Americans in the 19th and early 20th century and explore the context of documentary/portrait photography at the time.
Film: “Reel Injun” (2009)
Thursday, November 13, 6pm (DeVos Center, Bytwerk Theatre)
“Reel Injun” is a documentary film that explores the many stereotypes about Natives in film, illustrated with excerpts from classic and contemporary portrayals of Native people in Hollywood movies. Film introduction by Willam Katerberg.
“The Critical Indigenous Photographic Exchange, CIPX”
Friday, November 21, 7pm (Covenant Fine Arts Center, Recital Hall) Reception to follow
Lecture with artist William Wilson, who spent his formative years living in the Navajo Nation, will present on his work, where he seeks to resume the documentary mission of Curtis from the standpoint of a 21st century indigenous practitioner.
Film: “More Than Frybread” (2011)
Thursday, December 4, 6pm (DeVos Center, Bytwerk Theatre)
A documentary-style film centered on the fictionalized 1st Annual Frybread Championship in the state of Arizona, “More Than Frybread” follows frybread makers from the twenty-two federally recognized tribes in Arizona as they compete for the title. Film introduction with Professor Carl Plantinga.