German Propaganda Archive Calvin College

 

Background: The following essay was published in the Nazi Party’s monthly for propagandists. This article reviews the film Der ewige Jude [The Eternal Jew], the nastiest of several anti-Semitic films of the period. No author is given.

The source: Unser Wille und Weg, 10 (1940), pp. 54-55.


The Eternal Jew:

The Film of a 2000-Year Rat Migration


The Eternal Jew is the first film that not only gives a full picture of Jewry, but provides a broad treatment of the life and effects of this parasitic race using genuine material taken from real life. It also shows why healthy peoples in every age have responded to the Jews with disgust and loathing, often enough expressing their feelings though deeds.

Just like rats, the Jews 2000 years ago moved from the Middle East to Egypt, at that time a flourishing land. Even then they had all the criminal traits they display today, even then they were the enemies of hard-working, creative peoples. In large hordes they migrated from there to the “Promised Land,” flooded the entire Mediterranean region, broke into Spain, France, and Southern Germany, then followed the German colonists as they moved into the countries of the East. Along they way they remained eternal parasites, haggling and cheating. Poland above all became the enormous reservoir from which Jewry sent its agents to every leading nation of Europe and the world.

The self-portrait Jewry offered the world was disgusting from the beginning. All that is overshadowed by the powerful examples in this new and most valuable film, The Eternal Jew. This film with its persuasive power must be shown everywhere where anti-Semitism is still questioned. No one will fail to shudder at the sneaking servility and dirty bartering of the Jews when they start out, at the perfidy, insidiousness and vulgarity of their methods, at the brutality and all-devouring hatred they exhibit when they reach their goal and control finance.

The most revolting scenes show Jewish slaughtering methods. These customs, which cast a particularly vivid spotlight on the so-called Jewish religion, are so terrible that it is hard to watch the film as the grinning Jewish butchers carry out their work. It is illuminating to see how stubbornly Jewry holds to its method of slaughter and with which casuistry it defends it against the horror of the civilized world. Rarely will people feel more horror than which watching the desperate and horrible death struggle of the slaughtered animals. Long before the seizure of power, the NSDAP fought against Jewish slaughter. National Socialist representatives in parliament repeatedly introduced legislation to abolish this form of animal torture through a ban on Jewish slaughter. Such proposals were always rejected, since the entire Jewish and Jewish-influenced press ran long articles against them and the so-called German parties refused to support National Socialism in its battle against this evil.

Not only in this regard, but in other areas too we are reminded with a shudder of what once was reality in Germany: the power of the Jews in the economy, finance, culture, theater, film, publishing, press, radio, education and politics. All these Jewish leaders of the Weimar era had their home or their origin in the filthy ghettos of the East.

One has a deep sense of salvation after seeing this film. We have broken their power over us. We are the initiators of the fight against world Jewry, which now directs its hate, its brutal greed and destructive will toward us. We must win this battle for ourselves, for Europe, for the world. This film will be a valuable tool in that struggle.

 

[Page copyright © 1998 by Randall Bytwerk. No unauthorized reproduction. My e-mail address is available on the FAQ page.]


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