Authored Books
- Moving Viewers: American Film and the Spectator’s Experience (Berkeley: University of California Press, 2009)
- Rhetoric and Representation in Nonfiction Film (Cambridge:
Cambridge University Press, 1997).
Edited Books
- The Routledge Companion to Philosophy and Film, co-editor with Paisley Livingston (New York: Routledge, 2009).
- Passionate Views: Film, Cognition, and Emotion, co-editor with Greg M. Smith (Baltimore: Johns Hopkins University Press, 1999)
Book Chapters
- “Frame Shifters: Surprise Endings and Spectator Imagination in The Twilight Zone,” in The Philosophy of The Twilight Zone, eds. Noël Carroll and Lester Hunt (London: Blackwell, 2009).
- "The Philosophy of Errol Morris,” in Rouch, Morris, McElwee: Essays on the Contemporary Documentary, ed. Bill Rothman, (SUNY Press, 2009)
- “The 1980s and American Documentary,” in Linda Ruth Williams and Michael Hammond, eds., American Cinema Since 1960 (McGraw-Hill, 2006)
- "The Limits of Appropriation: Subjectivist Accounts of the Fiction/Nonfiction
Film Dictinction." Moving Images, Culture and the Mind.
Ed. Ib Bondebjerg (University of Luton Press, 2000).
- "American Documentary in the 1980s" in A New Pot of Gold:
Hollywood Under the Electronic Rainbow, 1980-1989, by Stephen Prince.
Vol. 10 of the History of American Cinema series (New York: Scribners,
1999).
- "The Scene of Empathy and the Human Face on Film." Passionate
Views: Film, Cognition, and Emotion, eds. Carl Plantinga and Greg
M. Smith (Baltimore: The Johns Hopkins University Press, 1999).
- "Notes on Spectator Emotion and Ideological Film Criticism"
in Film Theory and Philosophy. Eds. Richard Allen and Murray
Smith (Oxford: Oxford University Press, 1997).
- "Moving Pictures and the Rhetoric of Nonfiction: Two Approaches"
In Post-Theory: Reconstructing Film Studies. Eds. David Bordwell
and Noël Carroll (Madison: University of Wisconsin Press, 1996).
Articles in Professional Journals
- “Disgusted at the Movies: An Essay on Film and Emotion,” Film Studies: An International Review, 8 (Summer 2006), 81-92.
- “What a Documentary Is, After All,” The Journal of Aesthetics and Arts Criticism, 63, 2 (Spring 2005), 105-117.
- "Spectacles of Death: Clint Eastwood and Violence in Unforgiven,"
Cinema Journal, 37, 2 (Winter 1998), 65-83.
- "Film Theory and Aesthetics: Notes on a Schism," Journal
of Aesthetics and Art Criticism, 51, 3 (Summer 1993), 445-454.
- "Roger and History and Irony and Me," Michigan Academician,
24, 2 (Spring 1992), 511-520.
|
